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In The Grave Of Inertia, Buried On The Hillside (​د​ر خ​ا​ک​ج​ا​ی​ِ آ​س​ی​م​گ​ی​، د​ف​ن​ِ س​ر​ا​ش​ی​ب​‌​ه​ا​)

by Mehrzad Mohammadi

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about

These three track are in fact the fiasco of man in three entangled threads. Hope, Freedom and Love.

"Evasion" is the tale of a man who to the delight of a single ray of light does not even involve himself with the concept of hope. In fact the iteration and the ups and downs of the song creates the sense that the mere dream of hope, overcomes hope itslef.
In "Jester", it is given what he has been through. It speaks of self-esteem and emphasising on it's absence.
But still a flicker of hope remains (as it is in the third track "Dust") . But this freedom is not of the freedom that has been popularized in it's shallow form. The Jester is beckoning freedom for human being itself and not for any person or personal patterns.
At last, the thing that probably is the beginning and end if in birth there is any instance for it then in death it is, Love.

All the tracks are after the incident.

ین سه ‌قطعه در واقع ناکامی آدمی در سه رشته‌ی به‌هم‌تنیده‌ست. امید، آزادی و عشق.
در گریزها داستانِ مردِ خسته‌دلی روایت می‌شود که به شوقِ نمایان شدنِ آن قطره‌ی نور، حتا خود را درگیر ماهیت امید نیز نمی‌کند. فی‌الواقع تکرارها و فراز و فرودِ آواز به گونه‌ای‌ست تا به مخاطب بفهماند رویای امیدوار شدن —احتمالا— بر ماهیتِ امیدواری مقدم است.
در قطعه‌ی دلقک، پرواضح است که بر آن مرد چه گذشته.
سخن از خودباوری‌ست و تاکید، بر فقدانِ آن.
رگه‌های امیدواری هنوز هم در جریان‌اند. (همان‌گونه که در قطعه‌ی سوم.) اما این آزادی، نه آن چیزی‌ست که همه جا بدظاهر شده. دلقک خواستارِ آزادی، برای شخصِ انسان است. و نه هیچ فرد یا الگوی فردی.
در آخر، چیزی که یحتمل شروع و پایان است. اگر در تولد مصداقی برای آن پیدا باشد، به قطع مرگ هم نسخه‌ای از آن را به اختیار دارد: عشق.

همه‌ی قطعات از نقطه نظرِ من، بعد از حادثه‌اند.

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credits

released January 15, 2020

Tanbur, Vocal and Concept: Mehrzad Mohammadi
Painting: Bardia Haddad
Graphic Design: Hoda Ghoreyshi
Mix and Master: Kourosh Dabiri

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Mehrzad Mohammadi Tehran, Iran

Born on September 1998 in Tehran, Iran and currently lives there.

In 2018 started an Exprimental Musical Due under the name ColdGates and a pesonal project, under his own name, Mehrzad Mohammadi, in World genre.

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